stan douglas berlin

Stan Douglas is widely regarded as one of the most important representatives of time-based media art. Career. Work by the artist is held in major museum collections, including the Art Gallery of Ontario, Toronto; Centre Georges Pompidou, Paris; The Israel Museum, Jerusalem; Los Angeles County Museum of Art; Museum of Contemporary Art Chicago; The Museum of Modern Art, New York; National Gallery of Canada, Ottawa; Pérez Art Museum Miami; San Francisco Museum of Modern Art; Solomon R. Guggenheim Museum, New York; Tate, UK; Vancouver Art Gallery; and the Walker Art Center, Minneapolis. Additionally, Victoria Miro presents selected works from Douglas’s photographic series Scenes from the Blackout. Using cinema techniques, Douglas creates emotionally intense experiences that draw the viewer into the psychologies of his subjects as well as the social, political and historical landscapes they inhabit. In 2017, the artist turned his focus to the pervasive global unrest of 2011 – a year that saw the Arab Spring, the Occupy movement, and riots in cities including London and Douglas’s native Vancouver, amongst other mass protests. Stan Douglas’s exhibition at the Serpentine Gallery presented the world premiere of the artist’s latest work Journey into Fear (2001).. Virtual Talk: Stan Douglas. Gothique, Absent, Obsolète, Double – la méthodologie de Stan Douglas Il est très important de comprendre le choix d'un conte du début du 19 ème siècle par Stan Douglas. Head of Directors' Office, Client and Business Development, Sales Executive & Assistant to Matt Carey-Williams, Sales Team Coordinator & Sales Administrator, Director of Exhibitions - Head of Department, Photography, Rights and Reproduction Manager, Library Coordinator and Archive Assistant, 'Douglas's film plays with questions of ethics... but more profoundly with questions of communication.’, 'Both the structure and the subject matter of the exhibition offer an overarching sense of displacement or the uncanny. This major exhibition (2 May – 14 October 2018) tells the intertwined stories of photography and abstract art. Recent venues for solo exhibitions include Julia Stoschek Collection, Berlin (until 1 March 2020); MUDAM, Luxembourg (2018–2019); the Hasselblad Center, Gothenburg (2016); Pérez Art Museum Miami, Florida (2016); Salzburger Kunstverein, Salzburg, Austria (2016); WIELS, Centre d’Art Contemporain, Brussels (2015); Museu Coleçäo Berardo, Lisbon (2015); Fruitmarket Gallery, Edinburgh (2014-2015); Carré d’Art - Musée d’Art Contemporain, Nîmes (2013, solo, travelling to Haus der Kunst, Munich, 2014; Nikolaj Kunsthal, Copenhagen, 2015 and Irish Museum of Modern Art, Dublin, 2015); Minneapolis Institute of Arts, Minnesota (2013) and the Moscow Photobiennale 2013. Stan Douglas has been selected to represent Canada at the 59th Venice Biennale in 2022. Categories. A panoramic view of an almost entirely blacked-out cityscape is juxtaposed with scenes of individual experience: resourcefulness and various degrees of misbehaviour. In one version, Alice is received compassionately and welcomed home, whereas in the other, she is treated as an outlaw or a potential threat. ICA University of Pennsylvania, Philadelphia. In 2016, Stan Douglas: Luanda-Kinshasa was presented at Pérez Art Museum Miami (PAMM), and Stan Douglas: The Secret Agent was exhibited at Salzburger Kunstverein, Salzburg. The period known as PREC (Revolutionary Process Underway) that followed stood in many ways outside dominant constructions of ‘history’ itself, which at the time ran firmly along geopolitical contours demarcated by the Cold War. Since the late 1980s, Stan Douglas has created films and photographs – and more recently theatre productions and other multidisciplinary projects – that investigate the parameters of their medium. Characteristic of Douglas’ sensitivity to the nuanced dynamics of public and private memory in its subtle blending of historical fact, meticulous reconstruction, and fictive source material, this immersive six-screen work implies the latent impact of unresolved past moments on the present, and even on our sense of futurity. Installation view, Victoria Miro, 31 January–14 March 2020, © Stan Douglas, courtesy the artist, Victoria Miro, and David Zwirner, 16 Wharf RoadLondon N1 7RWt: 44 (0)20 7336 8109. Between 2004 and 2006 he was a professor at Universität der Künste Berlin and since 2009 has been a member of the Core Faculty in the Graduate Art Department of ArtCenter College of Design. But it’s a good start. Before contacting or subscribing please read our Privacy Policy. Victoria Miro is pleased to present Doppelgänger, a video installation by Stan Douglas. 'I can’t predict the future, so in a way, my science fiction – like everything else, like historical things – is an allegory of the present.'. Stan Douglas has been selected to represent Canada at the 59th Venice Biennale in 2022. ', 'The streets are these arteries where the people, the police and objects are all interacting…It’s not focusing on mayhem and that fascinates me.'. Art Previews; EXHIBITIONS; Tags. Stan Douglas: Splicing Block opens at the Julia Stoschek Collection, Berlin The exhibition (1 November 2019–1 March 2020) examines the relationship between music and society, and is at the same time a reflection on the media of film and photography. Conceived of as two distinct installations, each a reflection on aspects of the past year, The... Victoria Miro is delighted to be a member of Reprieve Collective and participate in Reprieve x Vortic with an exhibition of works by Hernan Bas, Kudzanai-Violet Hwami, Doron Langberg, Grayson... Before contacting or subscribing please read our. These panoramic mise-en-scènes first appeared in Helen Lawrence, a groundbreaking cinematic theatre production that plunged into the seedy underbelly of the immediate postwar period in North America, before what the artist describes as ‘the sudden call to order and morality’ of peacetime had fully taken hold. Douglas's multidisciplinary works, including films, photographs and, more recently, theatre productions, reflect on the dynamic potential embedded in pivotal historical moments. Then, Alice and her ship, the Hermes II, for unknown reasons, return. In the two-channel video, an astronaut and her doppelgänger are sent to two different planets; one is welcomed, and the other is treated as a potential foe. Stan Douglas; Victoria Miro In Midcentury Studio, Douglas' first exhibition with Victoria Miro, monochrome photographs were created in... Victoria Miro is pleased to announce the first gallery exhibition of Canadian artist Stan Douglas. A survey of his work, Stan Douglas: Mise en scène, toured Europe from 2013 until the end of … This is the premise of his video installation, Doppelgänger, currently on view at David Zwirner in New York and Victoria Miro in London. Displayed on two square-format, translucent screens, each of which can be viewed from both sides, the looped narrative unfolds in side-by-side vignettes that depict events on worlds that are light years apart. In January 2017, the Aargauer Kunsthaus and the Solothurn Film Festival are devoting an exhibition (Cinéma mon amour. In the Ticketed Waiting Room at Moynihan Train Hall, artist Stan Douglas’s nine photographic panels, arranged in three pairs and one triptych, reconstruct significant but little-known moments spanning the Station’s half-century lifespan, standing as vivid evocations of the city’s forgotten history. View Malecón (2004) By Stan Douglas; C-print mounted on honeycomb aluminium; 47 7/8 x 92 7/8 in; Signed; Edition. Since the early 1990s, multi-channel video installations have been an integral part of Douglas’s practice, allowing for the simultaneous presentation of multiple, overlapping narratives or vantage points, and with Doppelgänger he extends his ongoing exploration of both nonlinear narratives and alternate histories: the omnipresent sense of doubling that is built into the structure of the work implicitly suggests the possibility of simultaneous, diverging experiences and realities. Head of Directors' Office, Client and Business Development, Sales Executive & Assistant to Matt Carey-Williams, Sales Team Coordinator & Sales Administrator, Director of Exhibitions - Head of Department, Photography, Rights and Reproduction Manager, Library Coordinator and Archive Assistant, 'Douglas's film plays with questions of ethics... but more profoundly with questions of communication.’, 'Both the structure and the subject matter of the exhibition offer an overarching sense of displacement or the uncanny. Stan Douglas, the Canadian video artist and photographer, likes to think about when things go awry. Instagram. PHOTOS: NYTIMES An image (above) from Penn Station’s Half Century, a photo-panel series by Canadian Stan Douglas. The exhibitions will mark the US and UK premieres of the piece. Stan Douglas * 1960 in Vancouver, CA. office@berlinbiennale.de. Venice: Tuesday–Saturday: 10am–1pm & 2–6pm. Facebook. All general enquiries should be sent to  info@victoria-miro.com. Victoria Miro does not accept unsolicited artist applications. Education. Since the late 1980s, Stan Douglas has been creating films, photographs, and installations, as well as recently venturing into theater productions and other multidisciplinary projects, … 1. Accompanied by an artist’s book with a new text by Olivia Laing, Story features a number of paintings of... Victoria Miro is delighted to announce an exhibition of new works by Idris Khan. Auguststraße 69 D-10117 Berlin T +49 (0)30 24 34 59 70 F +49 (0)30 24 34 59 99 Newsletter. Stan Douglas was born in Vancouver in 1960. The installation Onomatopoeia, included in the National Gallery of Canada's centennial exhibition Songs of Experience(1986), brought him new attention. In Scenes from the Blackout, as in these related series, Douglas juxtaposes images that are filmic in their sweeping overview of what a collectively felt catastrophe might look like, with others that offer intimate glimpses into individual experiences. Saturated with information, and yet rejecting easily consumable messages, these works place the viewer within the charged atmospheres and ambiguous political and social intricacies of 1970s Portugal and postwar Vancouver, respectively. Intercut with quasi-abstract passages of colour and light, which nod both to avant-garde cinema as well as the history of space exploration, Doppelgänger presents a nuanced and layered parable that powerfully addresses the slippery notion of objective truth, and the position of the ‘other’ in contemporary society. Film and art have been inseparably linked since the invention of the medium of film. For sale and learn about the artist queries the past in his works are again shown! In recognition of their respective mediums II, for unknown reasons, return individual experience: resourcefulness and degrees! Under Professor stan Douglas has been producing work for exhibition since the invention of the medium of.... 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